Ballet for Bellydancers is BACK!

Back by popular demand - Jennifer Alvarado will be teaching another "Ballet for Bellydancers" workshop. The last workshop was such a success (and sold out!) that we had to do it again!! Don't believe that ballet can be fun?? Read HERE to see what everyone had to say about it last time!

Here's the info:

September 21, 2008

Jennifer will be teaching a 2 hour workshop including:

~ Barre exercises and center floor excercises focusing on proper posture, proper arm and hand positioning and proper foot placement;

~ Core and lower body strengthening and conditioning;

~Traveling movements, including turns and spins

If you attended the first Ballet for Bellydancers workshop, you are of course welcome to come again! Jennifer will be doing some of the same exercises, as well as working on new things, so it will be a great experience for new and old students alike!

Registration begins at 12:30

Class begins at 1:00

Workshop will be held at Queens Dance Project

34-57 Francis Lewis Boulevard, Bayside, NY

Prepay : $30At the door:$40 (space permitting)

Don't miss out on this amazing opportunity to improve your dance!!

Talk to me about your restaurant sets....

This summer, my intermediate students have been working on the elements of an American Cabaret show. We've gone over the basic parts - entrance, veil work, audience participation, prop and/or chiftetelli, drum solo, finale (of course while zilling all the while).

I know this is the old school AmCab way of doing things, but this is how I've always structured my sets, and I'm the first to admit that I'm an AmCab girl all the way (veil wrapping and all!). But what are the other ways to structure a set?

How do you do it? What style of bellydance do you do? Does your style affect your set structure? I know that the NYC scene is very AmCab with heavy turkish influence, and most of the sets I've seen follow my format, or they just do a bunch of pop songs to get the crowd up and dancing (no real "set"). But I'm curious to know what else is out there! Talk to me about your set, please!

How old is too old??

Kind of a spin off to my previous "How young is too young?" post a few months ago....



Lately, I've been getting a lot of comments on my age - good comments, ones like: "Oh, I'm so happy you are young! The last bellydancer we had was really old!" or from a DJ: "Can I have your card? I am always getting requests for bellydancers but the only dancers I know of are so old!"



So, I have two questions: First, does the general public (GP) have a different perspective of what "old" is? When they think "bellydancer" do they think 20-something hot chick with perky boobs and a golden tan? Does the GP think that anything close to 40 is old? Because, I've got to tell you - I have yet to see a website of a 70 year old woman advertising herself for bellygrams. When I think "old", I think grandma-style. And while I, as a dancer, can appreciate that bellydancers get better with age, I am aware that the GP doesn't feel the same. But I am concerned that the label "old" means something totally different for me as it does for the GP.



Which leads me to my second question - will I know when I'm too old?? As I am about the leave the realm of the 20-somethings and embark on a new decade, I worry about "aging out" of this dance, which has also become a pretty lucrative career as well. I mean, I understand that no one wants an old lady dancing at Uncle Bob's birthday party, but will I still think I'm "young enough" when others think I'm past my prime? I don't want to turn into one of those dancers that people complain to me about - the dancer who thinks she's still "got it" when everyone else snickers behind her back.

What do you think? How old is too old, and when should a dancer hang up her bedleh?

Best. Party. Ever.

Tis the season for weddings, and I've been dancing at quite a few lately. Two this weekend alone. I love dancing at weddings, but this weekend I had the opportunity to dance with the coolest guests at the best wedding ever (from a bellydancer's perspective, of course!).

I drove all the way down to Pt. Pleasant on the Jersey shore (on a Friday night - talk about a stressful situation! I was petrified that I'd get stuck in shore traffic and miss the wedding!). My husband and I decided to make a mini-vacation and spend the night on the shore. I was hoping for a good party - a rockstar party, if you will - to make the long drive worth while. What I got was better than any rockstar party I've ever danced for.

The crowd was awesome. It was a mix of Arabs and Americans, but everyone was up and dancing. The groom and all his friends were Arabic, and they did not sit down the entire show. They were up and dancing with me, singing along to all my songs (I had added some new pop songs to my set, and I'm so glad I did - they knew all the words and obviously loved them!). There was an older man (very old....) who was dancing along the sidelines, so I pulled him out to the dance floor while I danced my slow and sexy almost-taksim to Jemileh. He was getting his groove on right along with me! And then he gave me the best compliment a bellydancer could ask for....he said "Are you an Arab?" Me: "No!" Him: "You're not??? What are you??" Me: "I'm Italian!". Then he started cracking up (this is all on the dance floor during my show, mind you) and said "But you are SO GOOD! How can you be this good and not be Arab??" I melted.

I seriously felt like a guest at this party, I was having so much fun. I couldn't believe that this was my JOB - I was being paid to get out there and party with everyone else! It was truly an amazing time and I wish every party I danced at could be that awesome (although I don't know if I'd have the energy to keep up if they were ALL that crazy!). It made my trip down to the Jersey shore totally worth every minute stuck in traffic (oh yeah, and my husband and I had a nice time on our mini-vacay, which made it worth it too....;-).

Good luck to the bride and groom (and to all my brides and grooms who have really all been wonderful people). May you have a lifetime of love, happiness, and dance.

The Show was a Success!

Our third annual student showcase was a success! This was certainly the best show yet - they just keep getting better!

All of the performers worked so hard perfecting their dances and preparing to dazzle the audience - and it worked, the audience was dazzled.

The Taiwan Center was a great location - big stage, lots of seats. We'll be back next year for sure!

Here are some pictures from the show, I'll be putting more on the website soon. Enjoy!

Awwwwwww!

Just had to share these....they are from a wedding I recently danced at. I love dancing when there are children in the audience, especially little girls. Little girls love the sparkle and the glitter and prettiness of it all. You can just tell that their new dream is to be a bellydancer when they grow up, which is an especially interesting observation in light of the post below...

Enjoy!

Choreography vs. Improvisation

I'm trying to work on my Solo for the upcoming showcase. I want to dance to Jemileh, by Pangia. I love that song. It's so beautiful, it puts me into that "magical dance place," where you can feel the music and forget about the audience - you can just dance.

I love impov-ing to that song. With it's predictable rythym, it's easy to make your improv look like a choreo, as long as you know the song. And I'm no stranger to improv - it's what I do. When I dance, 95% of my performance is improv. I really enjoy it - for parties. Not for stage shows.

For some reason, I feel as though standing on a stage means I must have a choreography prepared. I feel absolutely uncomfortable doing improv on stage. Maybe it's because I feel more comfortable improv-ing in an environment where I can interact with my audience, and where it is necessary for me to be able to change things up in response to the actions and emotions of the audience members. Maybe it's because when I'm on stage, I don't get that interaction - on stage, it's like I'm on display - no matter what the audience is doing, I just keep on truckin' with my dance, especially since I can't see the audience from stage half the time anyway, what with the glaring spotlights and all.

But I'm having a hard time with it here - I want to dance to Jemileh, a song I know like the back of my hand and that I am so used to improv-ing to. But, it's going to be on stage, so I want to choreograph something. But I'm finding that extremely difficult because I just want to improv.

Ugh. And so, two weeks before the show, I still have no solo.