Ballet for Bellydancers

Sounds like fun, huh? Actually, it was! Last week, I hosted a Ballet for Bellydancers workshop, taught by Jennifer Alvarado, the owner and director of Queens Dance Project.

The workshop was a ballet class, but instead of focusing on pirouettes and tour jete's, Jen focused on the skills that we, as bellydancers, need to know.

I've taken ballet since I was a little girl, and it's been drilled into my head by dance teacher after dance teacher that "ballet is the foundation of all dance." While that might be a very grand statement to make, now that I am a bellydancer - practicing a form of dance that seems to be the farthest thing away from bellydance - I see how true that statement really is.

Ballet teaches strength, but it also teaches grace. It teaches proper posture, and proper arms and hands. It teaches you how to be aware of your body, so that you can become a better dancer. And shouldn't everybody know how to do that?!

Were you at the Ballet for Bellydancers workshop? Share your thoughts! And even if you weren't - what do you think about the connection between ballet and bellydance?

I wanna be a rockstar....

I've performed at a lot of parties throughout my professional dance career. I've met a lot of people and experienced many different situations. Over the years, I've experience two huge extremes in the types of parties I perform at, and I've labeled them appropriately....the "plague parties" and the "rockstar parties."

A "plague party" is one in which the guests treat me like I have the plague - I spend half of my time trying to pull people up to dance with me, and rather than being willing participants in the show, the guests shriek and recoil in horror and will not budge. That would be bad enough on its own, but another common characteristic of a plague party is the "point at your friend" game that the guests inevitably play. As I make my way around the room, every table will have at least one person pointing at someone else at their table and mouthing "pick him, pick him." So, I will go over to the unsuspecting guest and attempt to dance with them, which will always end with yet another shriek and recoil, at which point I move to the next table and start the process all over.

Plague parties really stink, because I can never get into the groove of the performance. I spend most of the set just traveling around to the guests trying to get them involved, and by the time I realize that absolutely no one wants to get up and dance (despite the fact that half of the guests are still furiously pointing at their friends and trying to get my attention so that I will dance with their friends, and their friends are now hiding under the table to avoid me), it's almost time for me to make my exit. Plague parties can be very trying and boring, and it's so hard to keep your energy up during your performance when the audience gives nothing back.

A "rockstar party", on the other hand, is the complete opposite of a plague party. Rockstar parties are just like they sound - I am a rockstar. Everyone wants to get up and dance with me because, well, who wouldn't want to dance with the rockstar? The audience is so into the show, cheering and clapping and encouraging. No one points at their friend in an attempt to embarrass them because (1) no one thinks it's embarrassing to dance with the bellydancer and (2) everyone wants to dance with me themselves!

Although it may not be noticeable to the guests at either of these parties, I feel like my performance is so much better at a rockstar party, because I feed off the energy of the audience and I am truly enjoying myself while I'm out there. I love rockstar parties - I wish they were all like that!

BDSS - the review!

The Bellydance Superstars returned to NY and performed for a half-empty theater at Westbury Music Fair (now known as Northfork Theater) on Nov. 11. Yes, you heard that right. The place was AT LEAST half empty. And, as the theater is normally a theather in the round, it was already cut in half for this performance, to give the dancers a "backstage." So, technically, they were performing for a theater only 1/4 full....

Why was there such a small crowd there? Surely there are enough bellydancers in the NY area to at least make a decent showing when such a big event comes to town, right? (to their defense, there was a show two days prior in Manhattan, which I did not attend and therefore I don't know how many people were there).

Here's what I think.....

If you've seen the show once, you've seen it enough times to last a lifetime. That is, as long as they keep doing the same old thing. What do I mean by this? I've been to BDSS three times (the only time they came to NY and I didn't go, they were here performing a repeat of Raqs Carnivale) and each time it's the same exact format. Aside from last year's "girls on stilts" fiasco, and other little "tricks" thrown in here and there, the show is always the same. You know when you go to see a BDSS show, you are going to see:

• Sonia and Isaam performing a drum solo;
• Isaam doing his "clap to the beat while I spice it up and try to trick you" schtick (it was cute the first time around, but come on now! He even does it in the Folies Bergere dvd, so even if you haven't seen the show live, you know what I mean);
• Jillina performing a drum solo while Isaam and Rachel Brice drum for her, and the Desert Roses will always come out at the end wearing galabeyas, they will all do some crazy zar movements and Jillina will always end on the floor;
• Petite Jemila performing a double or quadruple veil routine which consists mainly of a lot of spinning (you know you have seen something too many times when spinning that much with four veils no longer impresses you) and (for the past two years) two of the Desert Roses will come out and do a whirling dervish thing behind her;
• A not-quite-Polynesian number with Sonia in the lead (at least now they've taken to calling it "bellynesian".....??);
• A dance that just leaves you going "Huh?" (ie: Adore's gymnastics, Dondi's "Marilyn", a new blonde dancer this year doing ballet, etc);
• The group drum solo when one dancer attempts to "battle" Isaam with her finger cymbals (sorry, but no one can hold a candle to Ansuya and really shouldn't even try) and then she and three other dancers each take turns performing solo;
• for the past two years, a reggaeton choreography, obviously choreographed by Jillina, who obviously knows very few "hip hop" steps because it was basically the same dance two years in a row.

It's just, well....boring. It's not that the dancers aren't great dancers - for the most part, they are. And it's not that I don't appreciate the lack of stilts and other in-your-face gimmicks, because I do. I guess I'm just over it?

Everyone I talk to about the show says their first time seeing the BDSS was their favorite. Whether it was last year, two years ago, or this time around. Maybe that's because after the first time, it's all the same?

What do you all think?

Ready to see some stars....

The Bellydance Superstars are coming to town. They'll be performing at the Northfork Theater (formerly Westbury Music Fair) this Sunday at 8:00pm.

It's been a few years since BDSS came to NY with a new show. They were here last year, but were back performing Raqs Carnivale, which they had done (and I had seen) the year before. So, this is their first new show in the area in a while.

I'm excited about going to see BDSS. I'm really hoping for a great show this year. I have to say that, although I love (most of) the dancers of BDSS and I think they are amazing performers, I was very disappointed in Raqs Carnivale. I felt that the focus was more on the razzle dazzle of a big stage show that keeps the general public interested, and less on the actual bellydance. There was much discussion about this show on Bhuz.com at the time, and the general consensus was that BDSS was trying to appeal to a broader audience with the content of their show, but was not reaching a larger audience with their advertising and marketing. Thus, the seats were consistently filled with bellydancers, who were less-than-thrilled with the show that was obviously geared towards the general, non-dancing public.

My feeling was, if I wanted to see samba dancers, I would not go see a bellydance show. If I wanted to see a girl on stilts, I'd go to the circus. I go to BDSS to see some of the best bellydancers in the western world on one stage, and I'd like to see them actually bellydance, please. I don't ask much, do I?

So, I have high hopes for this year's production - that they keep it to what they know how to do, and what they know the audience will enjoy. I'll be sure to post some reviews when it's done!

What are your goals?

Now that my wedding is over (yay! I'm Mrs. Daniela now!), I have a lot more free time on my hands. Well, maybe not a LOT, but definitely more. Anyway, I put many of my dance goals on the back burner as the wedding got closer and closer, and now I'd like to re-focus my energy on dance 100%. I have a few goals I'd like to accomplish over the next few months. Here's what I'm thinking:

• Go to more workshops. I was on my honeymoon during Rakkasah East, so I missed out on some great opportunities there (not that I'm complaining, because I was on my honeymoon...). I'd like to aim for one workshop a month, but I know budget and time restraints will be an issue, so I'd be happy with one every two months.
• Put together a sword workshop. This is something that many of my students have expressed interest in - I'd like to do a two-day sword workshop, spread over two weeks' time. I think that this will be great for all students who have a good handle on the basic isolations, and want to add a prop to their performance repertoire
• Buy a new costume!! Ok, this might not seem like a legitimate goal to some, but I have not bought a new costume in months - I didn't want to spend the money so close to the wedding! But now I'm due!! So, I'm on the hunt for a new sparkly.....
• Choreograph show dances. It's that time of year again. Time to start getting ready for the annual student showcase. Planning on my end begins way before the actual show - before anyone can start learning their dances, I need to choreograph them!
• Blog more. I know, I know. I always say I'm going to do this. But now that the wedding is over, I really mean it this time!

So...what are your bellydance goals?

Tips for Workshop Organizers

The Adriana Lira Workshop was the first big workshop I had ever hosted (and by big, I mean bringing in a foreign instructor). I kind of went into it a little blind and not knowing what to expect, but I did learn a lot a long the way. Here are some helpful tips I think other first-time workshop organizers could benefit from:

• Don't plan a workshop for the end of August. People go away during August. Especially the end of it. No matter how many people want to come to your workshop, most of them won't even be around.
• Make sure you have at least 10 people (or some reasonable minimum you deem reasonable) who swear on their lives that they will be at the workshop. Before agreeing to host Adriana, I asked around amongst my students and dance friends to find out who would come to the workshop if I decided to host it. Lots and lots of people said yes - some were, I'm sure, just saying yes because that's what they thought I wanted to hear. Some said yes without thinking about the logistics of the workshop - could they afford it, would they be able to get there, would they be available? Whatever their reasons, almost everyone who said they were interested did not sign up, and we were left scrambling at the last minute to find enough students to make the workshop worth it. So, get signatures in blood if you have to, but don't agree to host a workshop unless you are absolutely positive you will get a minimum number of students attending.
• Have video clips of your instructor performing and teaching. This is especially important if you instructor is not a "big name." People want to see what you are asking them to fork over cash for.
• Ask your instructor to bring his or her music with them as a carry-on on the plane. Or at least a few "emergency cd's". Adriana had a horrible flight experience - a diversion, a weather delay and a missed plane in Atlanta - and one of her bags was missing for the entire weekend. Unfortunately, it was the bag with her cd's for the workshop. (and all her clothes!! But she had her costumes, and really, that's all that matters, isn't it??). We had to do some creative song substitutions to make the classes work. They worked, but Adriana had plans for each class that she wasn't able to execute because of the missing music.
• Advertise heavily. Everywhere. On the internet. In your classes. In dance studios. Everywhere. People may really want to come to your workshop, but due to the procrastinating nature of human society, they will not sign up when they hear about it, and then forget to do so until it's too late. If someone told me they wanted to come to the workshop, I emailed them and emailed them until I got a registration. Yes, I was probably annoying. But they registered.
• Don't park your car in a bus stop in Manhattan. Um, well, that piece of advice is not really limited to workshop organzers - it's good advice for everyone. Don't park your car in a bus stop, or you will have to spend hours in the NYC Tow Pound and pay $185 to get your car back. Yeah, it happened to us after Day 1 of the workshop....

So, those are the little bits of wisdom I learned from hosting this workshop. Anyone out there have some experience in this field? Please share what you've learned!

Adriana Lira workshop was a success!!

Whew! What a weekend!! Adriana Lira has just left NYC after an intense weekend of workshops. The workshops were great!! Everyone really had a great time and we learned so much.

My favorite class was the drum solo. I will definitely be using that choreography in my classes! It was so unique and very appropriate - there was a samba section in the music, which is awesome, being that Adriana is from Brazil!

I loved Adriana's style of dance. With her ballet background, her dance is infused with much ballet influence, which I love. Her style is also unique to her in that she draws from her Brazilian background, and you can definitely see the samba in her dance as well!

There were some minor snags in the weekend (ie: Adriana's luggage with ALL her CD's got lost and the airline didn't find it until AFTER the workshops were over!) and I definitely learned a lot, not only from a dancer's standpoint, but from an organizer's standpoint as well. I'll post some of my tips for organizers later.

All in all, though, it was a great weekend. We were truly luck to have Adriana here in NYC and can't wait for her to come back!